What is Log Profile Video?
LOG video, a compressed format that captures a wide dynamic range using a logarithmic scale, offers filmmakers greater flexibility in post-production compared to standard video formats. This technique, which mimics human visual perception, allows for more detail preservation in both highlights and shadows, though it requires color grading to achieve the final desired look.
Definition of LOG Video

LOG video is a compressed format that captures light information using a logarithmic scale, similar to how the human eye perceives brightness[1][2]. This technique allows for a wider dynamic range, preserving more detail in both bright and dark areas of an image. Unlike RAW video, which is completely unprocessed, LOG footage is processed in-camera and can be viewed on external monitors without conversion[1]. However, the resulting footage appears flat and desaturated, requiring color grading in post-production to achieve the desired final look[1][3].
LOG vs Standard Video Encoding
LOG video encodes light information logarithmically, resulting in a nonlinear representation of brightness levels. This approach differs significantly from standard video, which uses linear encoding where a doubling of light intensity corresponds to a doubling in signal output[1][2]. The logarithmic scale allows LOG footage to capture a much wider dynamic range, preserving more detail in both highlights and shadows. While standard video may struggle with high-contrast scenes, LOG video excels in retaining information across the entire tonal range, providing greater flexibility for color grading and post-production adjustments[3][2].
LOG Video Processing Needs
Processing LOG video footage requires specialized software and hardware due to its unique characteristics. Color grading is essential to transform the flat, desaturated LOG footage into a visually appealing final product[1]. While LOG files are smaller than RAW, they still demand significant computing power and storage capacity. Editors often need a dedicated graphics processor (GPU) to ensure smooth playback and real-time editing of LOG footage[1]. Additionally, proficiency in color correction techniques is crucial for videographers working with LOG formats, as the skill set required differs from that needed for standard video editing[1].
Comparing LOG and RAW Video Formats
LOG and RAW video formats are both popular choices for professional videography, each offering unique advantages for different production needs. The following table compares key aspects of LOG and RAW video formats:
Aspect | LOG Video | RAW Video |
---|---|---|
Processing | Processed in-camera | Unprocessed sensor data |
File Size | Smaller, compressed | Larger, uncompressed |
Viewing | Viewable on external monitors | Requires de-Bayer process for viewing |
Dynamic Range | High, but less than RAW | Highest possible from sensor |
Flexibility in Post | Good flexibility for color grading | Maximum flexibility for all adjustments |
Skill Level Required | Moderate | Advanced |
Storage Requirements | Moderate | High |
While both formats offer flat footage ideal for color grading, RAW provides more control and information at the cost of larger file sizes and increased processing demands[1][2]. LOG, on the other hand, offers a good balance of quality and manageable file sizes, making it suitable for a wider range of professional applications[1][2].
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